I love the Dells. Formed in 1952, their career is simply epic. But my favorite period for them was ushered in with Charles Stepney. Unfortunately, as Chess Records (their label from the mid-sixties till the mid-seventies) crumbled, their hits (which include “There Is”, “Stay in my Corner”, “The Love We Had Stays on My Mind”, “Oh What a Night” and more) were harder to come by.
By 1973, The Dells, still at Cadet Records (a Chess Subsidiary), were recording work with a Detroit/Memphis lean. Tony Hester, who came from Detroit to Memphis, wrote and produced The Dramatics’ biggest album (“Whatcha See is Whatcha Get”) and subsequent Dramatics outings. Don Davis is a legend, producing for various Detroit acts (some of which, like Darrell Banks, were released on Memphis’ Volt Records), and ultimately working throughout the world of Soul.
With such a team behind them, The Dells (with lusciously gruff Marvin Junior on Baritone Lead) couldn’t help but come up with this gold. Jive on!