Category Archives: Visual Arts

Record Store: where you can’t buy anything, but you can listen to everything.

I’ll be spinning for the opening of this… The record store is completely modular and made to encourage the kind of listening-based cultural interchange that makes record stores awesome. Over 4,000 records on loan from community members’ collections. None of them are for sale, but visitors can listen to them all: from “Belly Dancing Favorites” to the Moody Blues to Earth, Wind, & Fire.

Record Store — an installation presented by Seattle Art Museum in collaboration with [storefront] Olson Kundig Architects (MacDowell architect Tom Kundig’s firm) — December 13th in Seattle! Attempting to remove the barrier between artist and audience, Record Store encourages the community to participate in the curation of this Olson Kundig Architects-designed traveling installation. Record Store is on view at Olson Kundig Architects (406 Occidental Ave., Seattle, WA 98104) from December 13 to January 31, 2012, Monday to Friday, 9 am to 5 pm. An opening event will be held on December 13, 2011 from 6:30 pm to 9:00 pm. Special DJ listening parties will take place during the installation’s run.


Dorchester Projects: presenting a home movie film festival for the south side.

(above, taken by me during Dorchester Projects’ Summer Daycamp, 2011)

The last installment of The Dorchester Projects’ Outdoor Home Movie Film Festival is this Thursday, August 11th at 9pm and will feature Live Musical Accompaniment… Sounds like a fantastic way to spend the last little chump change of summer. Organizers request you RSVP to dorchester.projects@gmail.com.

 


Mark Bradford at the MCA: exercises in community, texture, and collaboration

"Scorched Earth" (2006), The Artist pictured in Foreground

So, I am totally late on this one… which is inexcusable really, because I was at the Opening of the exhibition.  Least I could have done is pub it.  But, alas….

Mark Bradford‘s Exhibition currently on view at Chicago’s Museum of Contemporary Art is a Retrospective that really gives a sense of the artist’s use of layers to establish history and depth in his work.  A number of the pieces displayed (like “Strawberry”, [pictured below]) feature small square wrapping papers (the sort used in beauty parlors to augment rollers) as a medium.  One particular work utilizes sun faded wheatpaste movie posters.  A good measure of his materials are, in fact, well known residents of his neighborhood, and his work whispers of larger community-based issues. Some of his work even echos Topographical maps.

In part due to his works’ scale, and in part due to his use of texture, his work needs to be seen in person, rather than in print or on a screen.

On the Collaborative tip, during this past year, the Artist was Skyping and Zipping back and forth between his homebase of Los Angeles and our fair city working with youth from both Lindblom Math and Science Academy in West Englewood and the YOUMedia Program at the Harold Washington Library culminating in a well received Pop-Up Gallery exhibition of the Students’ work.  The exhibition (a part of the MCA-backed Mark Bradford Project) dealt with issues of community and mapping, while using a variety of mediums.  Many of the students agreed that they learned as much about life as they did about artistic practice from Bradford, who beautifully validated the burgeoning voices of the self-proclaimed “Art Kids”.

Mark Bradford’s work will be on display at the MCA from May 28-September 18, 2011

Museum of Contemporary Art

220 East Chicago Avenue, Chicago


Theaster Gates’ Dorchester Projects

What do you get when you mix a maverick artist with strong community ties and an Urban Planner? For one thing, Theaster Gates. For another, the Dorchester Projects, pictured above. Theaster has been purchasing properties in the Woodlawn/Grand Crossing neighborhood for a few years now, and has quietly acquired the stock of the former Dr. Wax record store as well as the now defunct Prairie Avenue Bookstore (both businesses were revered in their respective collector communities). He created a home for glass lantern slides that depict the canon of Western Fine Art. Using reclaimed materials, he is turning his properties into cultural community hubs, featuring curators and programming that reflects the collections and the community.

In the spirit of full disclosure, I’ll be curating the record collection in May and June of 2011, culminating in a series of talks on Chicago Music History (details to follow) and a couple of good, old-fashioned dance parties starring local-born music.

Read the New York Times article about what’s poppin on the South Side with the Dorchester Projects.


The Return of Captain EO: This was it.

 

Hot off the presses.. Captain EO will be reopen at the Epcot Center (at Walt Disney World) this July. The ride/film short directed by Francis Ford Coppola and featuring Michael Jackson was originally opened in 1986 and closed in 1994 amidst allegations of abuse.  The film was definitely a highlight of my family’s trip to Orlando back in the day.  I am sad that Michael had to leave us for this gem of 80s cinematic opulence to return to the world!  Jive on.


Cocktails and Clay: sensual overload in hyde park

cocktails-and-clay

Perhaps one of the greatest (Nancy Reagan-approved) conceptions of sensual overload ever!  Hyde Park brings it back one-mo’-gin :

Friday, March 12 at the Hyde Park Art Center… play with clay, explore the exhibitions, enjoy drink specials, and dance!

Hyde Park Art Center

5020 S. Cornell Avenue
Chicago, IL 60615


African Art and the Modernist Eye: at the Art Institute

For my art-lovers: something to check out tomorrow evening…African Art and the Modernist Eye, a lecture exploring how traditional African Art was catapulted to the cutting edge of the Modern Art scene

Thursday, February 18, 2010 @ 6:00 p.m.

Inspired by a modernist fascination with the “primitive,” the first half of the 20th century saw a developing aesthetic appreciation for objects from sub-Saharan Africa and elsewhere, which formerly were dismissed as mere curiosities or classified as ethnographica. In this lecture, Christa Clarke of Newark Museum considers the influence of modernism in shaping Western perceptions of African art, as reflected in exhibition display as well as the formation of institutional and private collections in the United States. 

 The Art Institute of Chicago – Price Auditorium 111 South Michigan Ave                             Tickets FREE

art pictured: Fang; Gabon. Reliquary Figure (Nlo Bieri), Late 19th/early 20th century. Gift of Mr. and Mrs. Raymond Wielgus.


Light on the South Side Book Release

light-on-the-southsideblog

In the mid-’70s, photographer Michael Abramson set his viewfinder on the South Side of Chicago, specifically the many clubs and lounges that served as Hothouses of street fashion (among them, the legendary High Chaparral and the Showcase Lounge). They reflected where blues, soul and disco collided:  a dream of grit and gold lamé.  The resulting photos have been compiled into the book A Light on the South Side.

The Numero Group presents:
A Light On The South Side
Release party, Discussion, and Social
Sunday, November 1st 2pm – 6pm
Chicago Cultural Center
Discussion with Michael Abramson and Rick Kogan in the Claudia Cassidy Theater
Reception in the G.A.R. Rotunda

Following the talk there will be a book signing and reception where Intelligentsia Coffee will be serving a special Numero-inspired creation, the 24-Carat Blend, and the Numero staff will be playing South Side classics in the G.A.R. Rotunda.


AREA/Chicago Release Party… inside and outside Chicago

pigasus for president chicago 1968

(above, Pigasus [the pig candidate for President from the Yippie party] at a rally, Chicago 1968.  classic Windy City protest)

AREA/Chicago announces a publication release / art happening….

(AREA Chicago Art/Research/Education/Activism is a publication and event series dedicated to researching, supporting and networking local social, political and cultural movements.)

AREA #9 Release Party marks the release of AREA #9 Peripheral Vision: A Local Reader Inside and Outside Chicago…November 1, 2009 from 2:00pm till 5:00 pm.

The release party will be coinciding with the closing party for the exhibit/event series titled Demise of the South Side Community Art Center at the South Side Community Art Center, 3831 S. Michigan Ave. (CTA: Indiana stop on the Green Line)

So there will be lots of great things to see alongside two events which are scheduled:

3:00 Peripheral Feminism: Readings by contributors
and 4:00 Performance by Sebastian Alvarez

This issue’s contributions are by/about:

Notes for a People’s Atlas of Calumet, Claire Pentecost, disability activism, Paul Durica, deindustrialization, Stephanie Farmer, Sean Noonan, Compass Group, Hobofest, Jayne Hileman, Ishpeming, Anthony Rayson, Forgotten Chicago, Dinah Ramirez, James Lane, Crandon mine campaign, Sarah Kanouse, Nick Brown, suburban segregation, The Brownlands, Mairead Case, rural pilgrimage, Beth Gutelius, feminism, Dale Asis, Southeast Environmental Task Force, Sarah Kavage, the Burnham plan, Lorenza Perelli, Chicago Otra, Donna Kiser, Erin Moore, immigration detention, Mara Naselli, used bookstores, Sue Simensky Bietila, Mary Patten, donation diasporas, Joann Podkul, MAS, Brian Schultz, ecology, Joey Pizzolato, regional energy, Alex Yablon, Native American sites, Carrie Breitbach, HIV in minority communities, Quincy Saul, Gary, Bert Stabler, Great Lakes waterways, Charlie Vinz, teaching urban studies in the suburbs, teaching art on the south side, Larry Shure, Southworks, Laurie Jo Reynolds, Dan Wang, Nazis in Skokie, No Se Vende, Mike Wolf, Human Action Campaign Organization, Ashley Weger, demolition, Ryan Hollon, Andrew Greenlee, Gloria Ortiz, Steel Shavings, Paul Sargent, slumming, Laurie Palmer, neoliberal poetry, Michelle Lugalia, world systems, Steve Macek, distribution, Rebecca Zorach, Nicolas Lampert, sprawl, Daniel Tucker, Tamms, Carol Ng-He, STAND, Wade Tillett, Nicole Marroquin, CTA, anarchists in the suburbs, Sam Barnett, Chase Bracamontes, Sergei Chrucky, Generations for Peace, Matthias Regan, Just Farming Small Farmers Confederation, parking meter protests, radical memory.

RSVP here: http://www.facebook.com/home.php?#/event.php?eid=150798202534&ref=ts 

For more info, email areachicagointern@gmail.com

(below, the South Side Community Art Center. The Art Center, which was established as part of the Works Progress Administration’s [WPA] Federal Art Project, has been influential in the development of the city’s African-American artists. It is the only continuous survivor of the more than 100 centers established nationwide by the WPA during the 1930s and ’40s.)

ssarts1a


Celebrate the Day of the Dead with portoluz

sugar skulls 1

Portoluz, the music and culture organization borne out the ashes of Hothouse, presents a  community wide celebration and art-making event honoring those who’ve left us.

Help create a community ofrenda (see below), and make a calavera (or skull) to take home with you.

Music will be supplied by Jarochicanos, son jaracho youth group.

This event is family-friendly.

Saturday October 31st 3pm-5pm

at S.P.A.C.E. in Evanston

1245 Chicago Avenue

847-492-8860

admission is $5

ofrenda21


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