Category Archives: Local Chicago Music

The Ones: SDYL

I catch Khari Lemuel (pictured below) and Yaw (top, right) all over the place (the Library, 75th street, Red Kiva), and recently, I heard them performing at the Brown Sugar Bakery to celebrate owner Stephanie Hart’s birthday.  I dug them both separately, but as a duo (calling themselves “The Ones”), they are beyond belief. Both pour their souls into performances, but in their own way. While Yaw is supremely charismatic, Khari is stunningly intense. The collaboration is not their first: Yaw covered Khari Lemuel’s composition “Where Will You Be” a few years back.

About a year ago, The Ones posted “SDYL” (below) on Youtube. It’s a musical S.O.S., and the video contains images of moments in our time when the world seemed to be swirling out of control. Khari told me recently that the recording is, in fact, a rough cut, and they are in the process of getting “SDYL” (along with the makings of a new album mixed down and mastered). Can’t wait. This is just the type of music that carries on the legacy of great music born in Chicago. Jive on.

NOTE: photos shown were taken for darkjive.com during the 2010 “Taking to the Streets” Festival in Marquette Park. The performance ranks with one of my favorites I’ve seen of them, and featured a great backing band, including Junius Paul on Bass Guitar, Corey Wilkes on Trumpet, and Agustin Alvarez on Guitar.

UPDATE: Khari just sent me a link to the video below, behind the scenes one-camera video of Khari and Yaw performing “By and By”: from their upcoming album. I’ve really loved hearing this song’s arrangement evolve over the course of many performances. It’s smouldering, spiritual, rock-infused vibe is the business… I’m curious to see how it winds up sounding in the final cut.


Betty Everett: there’ll come a time

It was last summer. I was privileged enough to hear the iconic (and prolific) arranger Tom Tom Washington play a few chords of  the tune “There’ll Come a Time” on a piano stationed at a Recording Studio on 80th and Stony Island, where in the vacant lot next door they grew cabbage.

It was electric, especially because Betty Everett’s “There’ll Come a Time” (released in 1969 on Uni Records) was one of the first Chicago Soul albums I ever owned. It was also exciting because Tom Tom Washington arranged some of my favorite cuts on the album (we both agreed on our favorite: “1900 Yesterday” (below), sort of an off-kilter swinging 60s dance cut).

On the album, Betty’s sassy-yet-classy salty mezzo-soprano voice was perfectly augmented by swirling strings, staccato horns, shuffling doo-wop background vocals, and rollicking piano. Featuring compositions by Eugene Record (of the Chi-Lites), Curtis Mayfield, and Eddie Sullivan (of the Classic Sullivans), the album serves as a snapshot of Chicago Soul at the time.

Above, listen to Betty Everett’s classic “There’ll Come  Time”. You can hear the cut “1900 Yesterday”, by clicking the “continue reading” icon below… Jive on!

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Howlin’ Wolf: getting in the mood with a psychedelic “Spoonful”

An absolutely beastly rendition of Howlin’ Wolf’s “Spoonful” by… Howlin’ Wolf. I feel like playing this cut tomorrow night.

Part of a push at Chess Records in the late 1960s (spearheaded by Marshall Chess) to rerecord both Howlin’ Wolf and Muddy Waters in the then contemporary Psychedelic Blues style featuring awe-inspiring session work by Morris Jennings, Phil Upchurch, and more. Read more about this groovy situation here.


Ramsey Lewis and Earth, Wind, & Fire: sun goddess…an exercise of local royalty.

In 1974, Earth, Wind, & Fire was beginning its ascent to “Shining Star”-dom: “That’s The Way of the World” had not yet been released, but “Head to the Sky” and “Devotion” had already made them radio favorites. Maurice White, the lead vocalist on so many of EWF’s cuts (and a beastly drummer) returns the favor paid to him by Chicago legend Ramsey Lewis (who selected him for the second generation of the Ramsey Lewis Trio).

The first generation of the Ramsey Lewis Trio featured Lewis with Eldee Young and Redd Holt (of Young-Holt Unlimited best known for “Soulful Strut”), who struck out on their own in about 1967, while the second featured Lewis, White, and Cleveland Eaton.  The second generation sounded decidedly funkier.

Ultimately, Maurice White, too, struck out to form the Salty Pepers (sic), which, with members of the Pharaohs, formed what became Earth, Wind & Fire.

So, back to 1974. That year, Maurice produced the stellar “Sun Goddess” for Ramsey Lewis’ album of the same name, but there’s a bunch of other cuts on the album of the same name featuring Chicago Soul/Jazz Royalty at their peak of power. Jive on!


Yesterday and Tomorrow (it’s a chicago thing): David Boykin Trio at Danny’s featuring DJ Ayana

Below, one of the great Chicago recordings that I’ll feature.

check out a bit of David’s work below.


Clea Bradford and Frank D’Rone: my love’s a monster, so think i will. jive on.

From Frank D’Rone’s Cadet/Chess album “Brand New Morning” released in 1968 (arguably Cadet’s creative peak), “Think I Will” was arranged by Richard Evans and is the Brother record to Clea Bradford’s bananas Sister cut “My Love’s a Monster” (also from Cadet in 1968). Yes. The horns are so mighty, and that guitar work is extra-tasty… I think I’ll jive on, too!

So here’s the little narrative I pieced together from the two records… First, in the record above, poor unsuspecting Frank decides to go out on the town (maybe to Mister Kelly’s, or something). He thinks he’ll fool around with some girl’s heart. That is until he meets Clea (listen below what goes down next).


I Just Want to Be Loved: Lee Charles breaks it all the way down.

Wow. What a little stunner. I played this 1973 cut during my second set at Morseland this past Thursday. Such a quality Chicago cut.  Arranged by the mighty, mighty Tom Tom Washington (who later worked with the likes of Earth, Wind, & Fire), this was co-written by Lee Charles with Lowrell Simon [from the group The Lost Generation (famous for the hit "Sly, Slick, & Wicked"), and, later, Lowrell (famous for "Mellow, Mellow, Right On")].
Lee Charles also wrote songs for Jerry Butler’s famous Workshop in the early 70′S. Beautiful early appearance of some spacey Moog sounds and some solid truth.


Curtis Mayfield wanted to get a little bit.

 

This 1976 record by Chicago’s own Curtis Mayfield used to be a favorite spin in my College Radio days.   It’s been back on my radar in recent days. “Give a little bit, Get a little bit, Take a little bit” picks up on the theme of the classic “Give Me Your Love” with an offer for a more even exchange. Very lean groove, yet it somehow still has a whole bunch going on (check the masterful guitar work). Jive on!


One Day I Was Walking: Soulful Gospel from the Swan Mellarks

Just to give you some warning… Lynnell Harris (misspelled as Lindell Harris on the label) has an amazing tone and vocals that are SOOOOO bananas.  This record was recorded for tiny Valberst Records in the 70s here in Chicago at Pervis Staples’ (of the Staple Singers) Studio.

“One Day I Was Walking” has been in my head for at least two years.  Very basic track.  Very soulful delivery. Very dope guitar work. Jive on!

UPDATE: Check the comments on this page for more info on this record.


Dance Dorchester!

dance locally to vintage sounds culled from Dorchester Projects’ Dr. Wax Collection heavily leaning on music that ‘jus grew’ out of our community: this friday, june 24th, 7pm til 10pm.

bring your favorite summertime dish to share with friends

100% wax spun by dj ayana

from The Dr. Wax Collection


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