Category Archives: Show Reviews

Passing Strange: a righteous afro-rock opera comes to Chicago!

 ”Passing Strange“, the Tony-winning black rock-opera is righteous, and it’s being staged in Chicago featuring  local soul revivalists JC Brooks & the Uptown Sound… and my chica: LaNisa Frederick.  Amen.

Passing Strange is the coming-of-age story of “Youth” (Daniel Breaker), a kid growing up somewhere in LA in the seventies.  He is disillusioned because he doesn’t fit the common definition of blackness.  Floating above the city, getting high in his choir director’s blue Volkswagen beetle, “Youth” decides to uproot himself from everything he’s known in order to find home.

It takes a blurry, nomadic trek across Europe to realize some ultimate truths about where he fits in the world and whom he can count among his tribe.  Features a great live band (book and music by Stew and Heidi) and meaty writing that sometimes billows poetically like blood in water. For anyone who grew up not fitting in, then realized that they fit in perfectly, after all.  Jive on.  Below,  an excerpt from the Spike Lee-documented Broadway staging.

Passing Strange

Featuring JC Brooks & The Uptown Sound

Chicago Center for the Performing Arts (CCPA)

777 N. Green St., Chicago IL (Google Map)

APRIL 21 – MAY 29, 2011

Fridays & Saturdays @ 8pm
Sundays @ 7pm


In the Blood: susan lori parks’ remix of “scarlet letter” in chicago

 ”My life’s my own fault. I know that. But the world don’t help.” — Hester La Negrita

“In the Blood”, the “bold re-imagining of Nathaniel Hawthorne’s masterpiece, The Scarlet Letter, embraces the yearning for love, family, and the price of moral absolutes” according to the UIC Performing Arts website. 

The rework centers on Hester La Negrita, an illiterate mother of five. She lives on the streets of a tough city neighborhood with her five children: Jabber, Bully, Trouble, Beauty and Baby. Her eldest son is teaching her to read and write, but she’s progressed only to the letter “A.”

Hester’s children bring her life-affirming comic moments, but she is held back by the adults who dominate her life: her ex-boyfriend, best friend, social worker, doctor and minister. Ultimately, she faces the cost of moral absolutes and the will of the community, represented by an ensemble. 
 ”Blood”  is presented this month by UIC’s Department of Performing Arts.  Directed by Robert O’Hara and features local soul star Yaw.

Opening April 9, 7:30 Also April 10, 15, 16, 17 at 7:30 April 11, 14, 18 at 2:15

on UIC’s campus: 1040 W. Harrison St. MC-255.  Tickets range from $11 (UIC Students) to $16 (general admission).

Box office + (312)996-2939
e-mail theatre@uic.edu


Under the Spell of Red and Brown Water

Tarell Alvin McCraney’s “In the Red and Brown Water,” now playing at Steppenwolf’s Upstairs Theater, is an exercise in duality that lends itself to complete immersion, an exercise in which you’re left like a used bag of orange pekoe (feeling purposefully spent).

Reality blends with chorus-driven fantasy, magic with carnality, and comedy with tragedy in this heartfelt display.  Oya, the lead character, is played hauntingly by Alana Arenas.  Ms. Arenas, who I caught lunch with after the show (she likes bruschetta), is a whisper-quiet left hook: a spirit to be reckoned with (in life and on the stage). 

Set in a Louisiana Housing Project, “Water” is a story of a Golden Girl, and how one decision (made at the cusp of womanhood) sends her down a pathway to a more tarnished reality.  Ms. Arenas imbibes an undeniable warmth as Ora, chasing the shadows of potential, of love, and of dashed dreams of creation.  Also stand out in the play were  Jacqueline Willams and Steppenwolf ensemble members K. Todd Freeman and Ora Jones.

Part of the Brother/Sister Trilogy of Plays (all playing in repertory at Steppenwolf), In the Red Brown Water plays until May 23rd.  for more info, visit steppenwolf.org. Jive on!


Passing Strange: a righteous afro-rock opera

 

 ”Passing Strange“, the Tony-nominated black rock-opera is righteous…. Amen.

Passing Strange is the coming-of-age story of “Youth” (Daniel Breaker), a kid growing up somewhere in LA in the seventies.  He is disillusioned because he doesn’t fit the common definition of blackness.  Floating above the city, getting high in his choir director’s blue Volkswagen beetle, “Youth” decides to uproot himself from everything he’s known in order to find home.

It takes a blurry, nomadic trek across Europe to realize some ultimate truths about where he fits in the world and whom he can count among his tribe.  Features a great live band (book and music by Stew and Heidi) and meaty writing that sometimes billows poetically like blood in water. For anyone who grew up not fitting in, then realized that they fit in perfectly, after all.  Jive on.  Below, from the Spike Lee-documented Broadway staging.

 


the Twinight Revue is Coming

numero

The Chicago-based record label Numero Group has brought together several veteran local soul acts from the short-lived (local) Twinight Record label (circa late 60s- early 70s).   Among them will be: Renaldo Domino, Syl Johnson, and the Notations.  They’ll perform Saturday at the Park West on Armitage Avenue in Chicago. Tomorrow on Chicago Public Radio’s morning show, 848, Richard Steele (great guy, by the way) will interview Syl in anticipation…. good golly.  Here’s some clips of revue practice…courtesy of The Chicagoist….  Chicago Soul rides again!!!

from Numero Group’s blog:

twinight128While Syl Johnson, the Notations, and Nate Evans perform regularly around the world, Renaldo Domino, the Kaldirons, and the Final Solution haven’t been on stage in over 30 years. In true revue fashion, we’ve hired Chicago’s stalwart Uptown Sound to back the entire performance and expanded their tight rhythm section to include horns, backing vocalists, and strings. The show will be preceded by an interactive slideshow of Chicago soul memorabilia and a DJ set from The Numero Group, followed by an autograph and photo line.



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