
(n.): A new music venue bringing entertainment back to Chicago nightlife, expected to open Memorial Day weekend 2009.
Joseph Russo, The Shrine’s founder and principal, has a number of legendary nightlife establishments in Chicago, including: The Funky Buddha, Thyme Restaurant, and its upscale lounge component Sinibar. The Shrine’s Myspace page promises: “A fusion of a sensuous nightclub, state-of-the-art live performance space, and high-end lounge, …a next generation nightlife venue.”
I am ready to stop fantasizing about 63rd street back in the day….

excerpted from
“Chicago In Song: Street Signs”
by Robert Pruter (as published in the Beachwood Reporter)
“Chicago city limits, that’s what the street sign on the highway read
I’m going to keep moving, until I get to that street called 63rd…” from “Hitch Hike” by Marvin Gaye
Sixty-Third Street was bisected by Cottage Grove Avenue, and for a couple of decades it was the dividing line between the black and white sections of Woodlawn. The black nightclubs first arose on the west side of Cottage Grove, south and north of 63rd, and then a string went from Cottage Grove along 63rd west to South Parkway (now King Drive). When the color line of Woodlawn broke in 1951, black nightclubs then blossomed on the east side of Cottage Grove and east on 63rd to Stony Island Ave.
One of the most famous clubs on 63rd Street was the Kitty Kat, established in 1953, and which featured King Fleming, John Young, Ahmad Jamal and other more art-oriented jazz musicians. On the west side of Cottage Grove could be found another legendary jazz club, Basin Street, with such stellar acts as Johnny Griffin and Eddie Vinson, and about a block south at 64th Street was the Pershing Hotel complex of venues – the ballroom, the first-floor lounge and the basement club called Budland, which at first was a jazz club featuring such acts as Arnett Cobb, Miles Davis, and Billie Holiday, but later was booking rhythm and blues acts.
On the west side of the Cottage Grove was the Trianon Ballroom, where teenagers saw huge rhythm and blues stage shows, and McKie’s Lounge, which booked a host of great sax blowers. Further east on 63rd Street was the famed Crown Propeller Lounge, which booked both jazz and rhythm and blues acts. The 63rd-Cottage Grove intersection was anchored by the largest theater on the South Side, the Tivoli, which put on rhythm and blues shows as well.
The 63rd Street Stroll also emerged as the South Side’s new “sin strip” during this period. The attraction of the area was “the forbidden,” where one could find not only jazz and rhythm and blues, but smoking, drinking, dope dealing and women. The area attracted not only ardent music fans, both black and white, but also those on the lookout for “action.”
My most rhythmic sisters, The Shrine is holding open auditions for dancers next weekend (I wanted to give you time to prep)…. Here’s the deal:
We invite young, passionate, creative female dancers willing to commit to four to six short performances a week (2-3 nights) to participate in our open call process.
Location and Time:
Visceral Dance Studio
2820 N. Elston Ave
12pm, April 11th, 2009
Requirements:
- Female Dancers who are 21 years of age or older by May 15th, 2009
-Must provide one non-returnable headshot and one non-returnable full-body shot including height and weight (5″x7″ or larger preferred). Photos are used for identification purposes.
-Professional photo is not mandatory. Photos should be a current representation of what you look like or will look like at the audition.
-No street shoes.
What we’re looking for:
- Athletic build, personality, energy, enthusiasm!
-Professionalism and maturity
-Background in african, modern, or jazz a plus
-Ability to improvise with confidence
-Ability to pick up dance choreography quickly
-Consistent positive attitude
-Strong teamwork skills
Operation Breadbasket, the seed of PUSH
I have dedicated a number of posts here at Darkjive to the PUSH Expo, a 1970s exercise in Black Economic Empowerment (or Black Power as it was then known). The PUSH Expo phenomenon was borne from the seed of Operation Breadbasket (a department of Martin Luther King, Jr.’s Southern Christian Leadership Conference), but the roots took twisted turns.
The term “Civil Rights Movement” often brings to mind images of the deep south, but Chicago was a key battleground in those days. Not just because of the influx of new Black citizens that the Great Migration delivered, but because of the ongoing struggles for housing equality and empowerment exacerbated by said influx.
Jesse Jackson, whose ties to Dr. King traced back to the Campaign at Selma in 1965, was selected by King to head Operation Breadbasket’s Chicago Branch. True to its name, the organization distributed nourishment to the communtity, but it also played a more proactive role to fighting for social justice.
Tactics such as boycotts were implemented, but according to Black Maverick: T.R.M. Howard’s Fight for Civil Rights and Economic Power by David T. Beito and Linda Royster Beito (Urbana: University of Illinois Press, 2009), a seamier aspect including cronyism and strong-arming businesses to donate money to Operation Breadbasket were folded into the tactics, as well.
Eventually, leadership rifts came to a head, and in December 1971, Jackson fell out with Ralph Abernathy, King’s successor as head of the national SCLC. Jackson and his allies broke off and formed Operation PUSH (People United to Save Humanity).
Various sources tell me that this was a pivotal moment in Chicago History because a giant, organized black party (the largest in Chicago at the time) broke off into factions and never regained the traction it had built before that point. Then crack hit the community like the atomic bomb (and the fallout is still being felt). I argue that the hindsighted strength of the PUSH Expo-era was built on momentum created in the years that had preceded it, in conjunction with the genius of marketing with a major motion picture (!) and tons of press. Documentation equals existence itself, and media has the power to romanticize just about anything.
In the end, please leave me the romance. Let me believe that we were SO close to breaking free. It gives me a fairy tale to build tomorrow upon.
8 comments | tags: Chicago History, Civil Rights, community building, economic empowerment, food justice, Great Migration, inner city, Jesse Jackson, Martin Luther King, operation breadbasket, PUSH Expo, Race, Ralph Abernathy, SCLC, urbanism | posted in Chicago Cultural History, Commentary, Jive Culture