Tag Archives: curtis mayfield

Come With Khari Lemuel

khari_lemuel_morning_music_albumLocal artist/instrumentalist Khari Lemuel performing his song “Come With Me” with Yaw (video by Bobby Rocwell)….Super talented brother who I’ve seen perform live multiple times.  His voice combines some of the best elements of Chicago Soul’s legacy: rootsiness, spirituality, truth, and beauty.

Below, Khari’s composition “Good Morning Love” summons the power of Curtis Mayfield (and arranger Johnny Pate) in their Impressions days.  The bells and snare brush conjure church, smoky jazz club, and brownstone rooftop at dawn simultaneously (quite a feat).

“Good Morning Love”

(NOTE: listen to The Impressions do the bell-and-brush back in 1964, below)


“Long, Long, Winter” (from the album “Keep on Pushing”)

According to Khari Lemuel’s official Bio:

[He] knows he will one day rise into heaven on a cloud of musical composition. For him music is a daily meditation; an alter where he can unfold the purpose of his life. Above all, Khari Lemuel is an artist painting with sound, composition and the mystical force of creation. Since the age of 3, Lemuel has been studying the instrumental aspect of music. First on cello then moving to flute, bass, guitar, violin, keys, trumpet and voice.

click here for more snippets of his album, Morning Music, or to purchase tracks.


We the People (Who are Darker than Blue)

Curtis Mayfield performing “We the People” and “Gimme Your Love”, plus archival tape of folks vibin’ in various Chicago parks back-in-the-day.  From the classic film “Save the Children” (1972).  The film chronicled PUSH Expo ’72 (at the International Amphitheatre** in Chicago), touted as the biggest gathering of black business in history.  When black power was green!

from TIME magazine:

Black Expo in Chicago

Monday October, 11, 1971

“Black Expo in Chicago Black Expo was billed as the largest gathering of black businessmen in history. When the five-day trade fair opened in Chicago last week, there were representatives of nearly 400 black firms on hand to prove the premise. But before the week was out, Black Expo proved to be more than a display of the products of America’s fledgling black capitalism. It turned out to be an unofficial convention of entrepreneurs and politicians in search of power at the polls as well as in the marketplace.

the Rev. Jesse Jackson, black businessmen from 40 states gave their backing to Jackson’s assertion that economic development —”green power”—is the way to black power. Self-sufficiency, Jackson said during the opening-day ceremonies, is the first step in breaking out of the ghetto. Said Jackson: “We do not want a welfare state. We have potential. We can produce. We can feed ourselves.” Despite the enthusiastic speeches, however, black capitalism is still in an initial stage of development. Aware of that, Jackson proposed a “domestic Marshall Plan” to help black neighborhoods develop their economic potential….”

**the Ampitheatre was also where the Democratic National Convention took place (in 1968) as well as countless concerts.
 


This Love’s For Real

This is a Local Chicago record also recorded by The Impressions (and written by Leroy Hutson).  Very obscure.  Very Lincoln-Continental-with-the-suicide-doors Gangster.  Enjoy.

caep_0805_02_z_1963_lincoln_continental_suicide_doors


Danger, She’s a Stranger!

The Five can’t-say-too-much-good-stuff-about-them Stairsteps recorded this petite cherie in 1967.  Local Chicago record co-written by Curtis Mayfield (check the cartoon Marina Towers on the record label).  When I listen, I always picture a blustery autumn day, a’la that sad, sad Cliff Huxtable Thanksgiving episode.

NOTE: When Cliff is just a soggy silhouette in the doorway, Play the Cosby Show clip on mute with the Five Stairsteps record as a soundtrack….


Leroy Hutson: Love the Feeling (of good old Chicago Lean)

leroy-hutson-2

Originally from New Jersey, Leroy Hutson attended Howard University, eventually majoring in Music.  It was during those years that Hutson met Roberta Flack, Herbie Hancock, Debbie Allen, Phylicia Rashad, and Chicago’s own Donny Hathaway (who would become Hutson’s roommate).

Hutson collaborated with Hathaway on “The Ghetto”, a smash 1970 hit (Hathaway’s first).

In 1971, three months out of college, Hutson replaced Curtis Mayfield as lead singer of The Impressions. He  recorded two albums with the group before going solo.

In 1976, Leroy Hutson released his third album: Hutson II.  Recorded at Curtis Mayfield’s Curtom Studios (on North Lincoln Ave. in Chicago), he predated D’Angelo by twenty odd years in the sheer smoothness category.  “Love this Feeling” (below) is just a taste of what Leroy Hutson  is made of.

 

Love the Feeling


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