Tag Archives: dance

Dancing Lesson: Jamaican Import circa 1964

Byron_Lee_and_the_Dragonaires-Dance_the_Ska_b

thanks to Mr. Catano for the headsup on this video….

At the bottom of this post, Tony Verity breaks down ska dancing (quite anthropologically, I might add).  Byron Lee and the Dragonaires play backup.  Plays out a bit like the movie Hairspray, only with a Jamaican twist (the original, of course…John Waters kept it gritty, yet sufficiently camp).  What’s Ricki Lake up to these days?

Funny thing, for an era that spawned so many dances (the mashed potato, the madison, the slop, the philly dog, the shing-a-ling, the pony, the jerk, et al), few have such detailed documentation.  Anybody out there remember “The Gouster” (a Chicago flash-in-the-pan dance committed to wax by local group the 5 Duotones)?


Fame: Cult Movie of the Week

fameFame (1980) is one of those movies that makes you wish you lived in a world so filled with youthful fervor that at anytime a group of kids might break into interpretive dance and jump on a cab. 
We don’t. 
But that didn’t keep us from cheering for the characters in the film (especially Coco and Leroy), and later the TV show (which featured Janet Jackson and Debbie Allen). 
The story of  students at a New York Performing Arts High School, the film follows the ebb and flow of their kinetic reach for stardom. The narrative is, despite pitfalls, like an infusion of fresh hope in admittedly hard times.  It expresses a romantic image pairing sweat with success, art with desire.
A new Fame  motion picture is scheduled for release this year, but somehow it seems superfluous.  Those kids in the original are gonna live forever.
 
Wanna live forever? Wanna learn how to fly (again?)  the Tofu Chitlin Circuit is having a screening  of Fame in Bronzeville this Monday….
 
“If you want fame, well fame costs and right here is where you start paying with sweat!” 
 
 
 

The Tofu Chitlin Circuit (a Bronzeville-based theater conservatory) is continuing their Family Reunion with the quintessential theater movie…”FAME!”  Enjoy a screening and discussion.

Prizes for the best FAME gear!

When: Monday, July 27, 2009
Where: The Digital Youth Network
1050 E 47th Street
Chicago, IL 60653
Time: 6:30 p.m.
Film starts promptly at 7:00 p.m.
Donation: $3

more about TCC:
“Our mission is to bring the audience into the creative process of theater.  Our conservatory is an educational platform that assists artists and audience members with intellectual dialogue, poignant interviews from theater practitioners, workshops, classes and of course performances!”

Jaema Joy Berry: You Can’t Dance out the Side of Your Mouth

jaemaFrom performing arts space  Links Hall….

Quirky, funny, and sincere, with accompaniment ranging from jazz piano to the sound of tap dancing, Chicago choreographer Jaema Joy Berry explores the simplicity of movement in the context of human and musical interaction.

Running:
Friday – Saturday June 19-20, 8pm
Sunday, June 21, 7pm

3435 N Sheffield Ave (at Clark St)

Lakeview/Roscoe Village/Wrigleyville, Chicago

773-281-0824

Tickets!
$10 ($5 students)
you can get tickets at the door, over the phone, or from linkshall.org


Tonight. Tango on Chicago Avenue with the A.R.O.M.A. crew…

aroma june

This month A.R.O.M.A. presents “Passions of Argentina” featuring the music, dance and culture of Argentina. Djs Shannon Harris and Joe Bryl along with Argentinean natives, DJs David and Abel Pardo will play Tango and South American influenced rhythms. Live Tango performances by Tango Eclectique’s Maria Alferov and Humberto Decima. Live VJ show by Galina Shevchenko, and more….

Argentine tango is a social dance and a musical genre that originated in the lower-class European immigrant districts of Buenos Aires, and moved to the rest of the world. The modern Tango has a large African influence that was shaped by the candombe ceremonies of former slaves.


The Shrine is coming…

shrine

shrinelogo(n.): A new music venue bringing entertainment back to Chicago nightlife, expected to open Memorial Day weekend 2009.

Joseph Russo, The Shrine’s founder and principal, has a number of legendary nightlife establishments in Chicago, including: The Funky Buddha, Thyme Restaurant, and its upscale lounge component Sinibar.  The Shrine’s Myspace page promises: “A fusion of a sensuous nightclub, state-of-the-art live performance space, and high-end lounge, …a next generation nightlife venue.”

I am ready to stop fantasizing about 63rd street back in the day….

excerpted from

“Chicago In Song: Street Signs”

by Robert Pruter (as published in the Beachwood Reporter)

Chicago city limits, that’s what the street sign on the highway read
I’m going to keep moving, until I get to that street called 63rd
…”  from “Hitch Hike” by Marvin Gaye

kitty-kat-adSixty-Third Street was bisected by Cottage Grove Avenue, and for a couple of decades it was the dividing line between the black and white sections of Woodlawn. The black nightclubs first arose on the west side of Cottage Grove, south and north of 63rd, and then a string went from Cottage Grove along 63rd west to South Parkway (now King Drive). When the color line of Woodlawn broke in 1951, black nightclubs then blossomed on the east side of Cottage Grove and east on 63rd to Stony Island Ave.

One of the most famous clubs on 63rd Street was the Kitty Kat, established in 1953, and which featured King Fleming, John Young, Ahmad Jamal and other more art-oriented jazz musicians. On the west side of Cottage Grove could be found another legendary jazz club, Basin Street, with such stellar acts as Johnny Griffin and Eddie Vinson, and about a block south at 64th Street was the Pershing Hotel complex of venues – the ballroom, the first-floor lounge and the basement club called Budland, which at first was a jazz club featuring such acts as Arnett Cobb, Miles Davis, and Billie Holiday, but later was booking rhythm and blues acts.

On the west side of the Cottage Grove was the Trianon Ballroom, where teenagers saw huge rhythm and blues stage shows, and McKie’s Lounge, which booked a host of great sax blowers. Further east on 63rd Street was the famed Crown Propeller Lounge, which booked both jazz and rhythm and blues acts. The 63rd-Cottage Grove intersection was anchored by the largest theater on the South Side, the Tivoli, which put on rhythm and blues shows as well.

The 63rd Street Stroll also emerged as the South Side’s new “sin strip” during this period. The attraction of the area was “the forbidden,” where one could find not only jazz and rhythm and blues, but smoking, drinking, dope dealing and women. The area attracted not only ardent music fans, both black and white, but also those on the lookout for “action.”

My most rhythmic sisters, The Shrine is holding open auditions for dancers next weekend (I wanted to give you time to prep)…. Here’s the deal:

We invite young, passionate, creative female dancers willing to commit to four to six short performances a week (2-3 nights) to participate in our open call process.

Location and Time:

Visceral Dance Studio
2820 N. Elston Ave
12pm, April 11th, 2009

Requirements:

- Female Dancers who are 21 years of age or older by May 15th, 2009
-Must provide one non-returnable headshot and one non-returnable full-body shot including height and weight (5″x7″ or larger preferred). Photos are used for identification purposes.
-Professional photo is not mandatory. Photos should be a current representation of what you look like or will look like at the audition.
-No street shoes.

What we’re looking for:

- Athletic build, personality, energy, enthusiasm!
-Professionalism and maturity
-Background in african, modern, or jazz a plus
-Ability to improvise with confidence
-Ability to pick up dance choreography quickly
-Consistent positive attitude
-Strong teamwork skills


Alvin Ailey American Dance: back in chicago

ailey-dance

the Alvin Ailey American Dance Theater is back in Chicago (at the gorgeous Auditorium Theatre). Those loyal darkjive readers among you, I warned you weeks ago that it was time to save up….

highlights of this year’s program include:

Night Creature – One of Ailey’s most classically choreographed ballets juxtaposed within Ellington’s jazz idiom – the dance capitvates with Ailey’s sexy nocturnal rituals that propel the movement into a fast paced climatic catharsis. (I really enjoyed this, and look forward to seeing it one mo’ gin)

Revelations – This enduring classic is a tribute to African American heritage and to Ailey’s genius. Using African-American religous music – spirituals, song-sermons, gospel songs and holy blues – this suite fervently explores the places of deepest grief and holiest joy in the soul. (the classic Pièce de résistance of not only the Company, but of Judith Jamison, as well.  Must See.)

Suite Otis – Otis Redding’s sassy, sizzling music sets the stage for George Faison’s playful battle of the sexes. The yearning sensuality of such timeless songs as “Satisfaction,” “Try a Little Tenderness,” “I’ve Been Loving You Too Long” and other favorites bursts through this sexy, charming and witty suite. George W. Faison danced with the AAADT from 1967 through 1970. He was the first African American choreographer to win a Tony Award for his choreography in The Wiz (1975). In the early 1970’s, he created two modern American dance classics, Suite Otis and Slaves for the George Faison Universal Dance Experience. (I’m excited to see this one.  “The Wiz”??  Are you kidding me?)

Alvin Ailey American Dance Theater

50th Anniversary Celebration

Dates: April 1 – 5, 2009
Times: Wed – Fri at 7:30 p.m, Sat at 2 p.m. & 8 p.m, Sun at 3 p.m.
Price: $82, $69, $59, $45, $30
Thurs 4/2 7:30pm                                   ANNIVERSARY HIGHLIGHTS (includes REVELATIONS)
Fri 4/3 7:30pm                                         FESTA BAROCCA** / TREADING, REVELATIONS
Sat 4/4 matinee 2:00pm                       BLUES SUITE* / SUITE OTIS / REVELATIONS
Sat 4/4 evening  8:00pm                       FESTA BAROCCA** / TREADING, REVELATIONS
Sun 4/5 matinee 3:00pm                       NIGHT CREATURE, UNFOLD / SUITE OTIS / REVELATIONS

*  New Production
**  Chicago Premiere


Bust out your Piggy Banks…

buddha-bankTime to start saving up…. the Alvin Ailey American Dance Theater is coming back to Chicago (at the gorgeous Auditorium Theatre).

highlights of this year’s program include:

Night Creature – One of Ailey’s most classically choreographed ballets juxtaposed within Ellington’s jazz idiom – the dance capitvates with Ailey’s sexy nocturnal rituals that propel the movement into a fast paced climatic catharsis. (I really enjoyed this, and look forward to seeing it one mo’ gin)

Revelations – This enduring classic is a tribute to African American heritage and to Ailey’s genius. Using African-American religous music – spirituals, song-sermons, gospel songs and holy blues – this suite fervently explores the places of deepest grief and holiest joy in the soul. (the classic Pièce de résistance of not only the Company, but of Judith Jamison, as well.  Must See.)

Suite Otis – Otis Redding’s sassy, sizzling music sets the stage for George Faison’s playful battle of the sexes. The yearning sensuality of such timeless songs as “Satisfaction,” “Try a Little Tenderness,” “I’ve Been Loving You Too Long” and other favorites bursts through this sexy, charming and witty suite. George W. Faison danced with the AAADT from 1967 through 1970. He was the first African American choreographer to win a Tony Award for his choreography in The Wiz (1975). In the early 1970′s, he created two modern American dance classics, Suite Otis and Slaves for the George Faison Universal Dance Experience. (I’m excited to see this one.  “The Wiz”??  Are you kidding me?)

ailey-dance

For more info click here


Freedom of Speech and Movement Acts

rousseve_webbanner_new

Presented in conjunction with Saudade… Freedom of Speech and Movement: a dance workshop at Hull-House Museum:

Freedom of Speech and Movement Acts Movement Workshop with Taisha Pagget of the David Roussève/REALITY dance company

Thursday, March 12, 12-1:30 p.m.
Jane Addams Hull-House Museum
800 S. Halsted Ave.

This workshop is free and open to the public- dancers and non-dancers alike.

The dance studio is a social space, where the problems of movement and choreography bring up problems of authority, hierarchy, participation and decision-making. This movement workshop will take up these questions, offering tools and exercises that develop creative freedom in our bodies, as both dancers and citizens acting within larger collective structures.

Jane Adams Hull-House Museum Art & Democracy Series
For more information or to RSVP: 312.413.5353 (Jane Adams Hull-House Museum)


Bittersweet REALITY at Columbia College

rousseve-reality

from the Columbia College website:

March 12, 13 & 14 at 8:00 p.m., The Dance Center of Columbia College presents “shattering dance/theater”(The New York Times). Named after a Portugese expression, Saudade is an ode to the idea of “bittersweet,” the single moment when the greatest joy and agony are experienced together. Set to Portugese Fado music and grounded in folklore, historical fact and personal experience, Saudade is a mosaic of character monologues, mixing world dance with stories of disenfranchised southern African Americans in a deeply personal statement about modern times. With equal parts wild humor and grit, Saudade is performed by Roussève and a distinguished cast of six dancers [known as REALITY], including practitioners of South Asian, Indonesian, West African and postmodern dance forms.

colum.edu

NOTE:

While “Saudade” means “bittersweet longing for what has gone”, “Chega de Saudade” (alternately), is roughly translated to mean “No More Blues”.  “Chega de Saudade” is also a Brasilian popular song performed by João Gilberto (below).

Vai minha tristeza
E diz a ela
Que sem ela não pode ser
Diz-lhe numa prece
Que ela regresse
Porque eu não posso mais sofrer

translated:

“Go on, my sadness
And tell her
That without her it cannot be
Tell her in a prayer
To come back to me
Because I cannot suffer anymore”


The Break/s: a mixtape for the stage

bamuthithe break/s: a mixtape for the stage

Marc Bamuthi Joseph

March 26th thru March 28th at the Museum of Contemporary Art

I am really looking forward to this.

NOTE: If you haven’t read Can’t Stop, Won’t Stop: A History of the Hip Hop Generation by Jeff Chang…..do.

from the MCA website:

“Poet and performer Marc Bamuthi Joseph conveys the history of the hip-hop generation through his own personal coming-of-age story using verse, dance, and film in this dramatic multimedia performance, a “mixtape for the stage.” Joseph collaborates with award-winning author Jeff Chang, whose book Can’t Stop Won’t Stop captures the creation of the hip-hop culture as a local, political, and artistic movement. To embrace the power of improvisation, the sound score and visual projections are mixed in the moment by a DJ and a beatboxer.

Tickets $25, MCA members $20
Buy Tickets Online
or call the MCA Box Office, 312.397.4010


krylon-blackalso coming (sooner):
New America: Marc Bamuthi Joseph and Jeff Chang in conversation
Saturday, February 28, 2009, 2 pm
MCA Theater
$10, $8 members, $6 students
$6 with performance ticket for the break/s - the break/s ticket-holders must reserve tickets in advance for the talk.

from the MCA Site: 

“Marc Bamuthi Joseph, leading poet and performer, and renowned writer Jeff Chang, come together for a public conversation about their own creative trajectories and the power of hip-hop to reshape the American and global cultural landscape at this historic moment in US politics. Drawing from their own experiences working for change through youth and community organizing, media justice, culture, the arts, and hip-hop activism, they discuss how a new understanding of American culture is both possible and necessary. Stephanie Shonekan, Black World Studies Director at Columbia College, facilitates this dialogue.”

Illustration above,  Austin Auandee


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