What bothers me are bandwagon tributes. An Icon, they say. A Genius. The same cackling media outlets that refused to play Michael Jackson’s music for years, and affixed an implicit punchline to his name. Whatever. Artists are not perfect people. We can choose to accept the art without embracing the artist. In the case of Michael Jackson, I embraced both[.
Born in Gary, Indiana (a fairy tale story in and of itself) the whole family accomplished amazing things. At one point, the Jackson 5 had the nickname of “Black Beatles” because of the Hysteria that ensued when they arrived on the scene. But Michael, dear Michael. He shook hands with the Queen. He changed pop culture forever. His music will live on forever. And there’s a generation of us that will idolize him as long as we breathe as untouchably “bad”. He gave us infinitely more than we ever gave him.
So here come the tributes, the tears. Celebrate genius in life. Not as it’s ripped away. Flowers for the dead pale in the glow of flowers for the living.
Steve Walsh and I interviewed his Brother, Tito, about the family’s story (including Michael’s) and about their Gary Roots. Listen here:
And, from the FIRST Michael Jackson album, I bring you my joint, “I Wanna Be Where You Are”….
I interviewed John and Maggie Anderson (an Oak Park, Illinois couple with two small children), who are conducting a social experiment: The Empowerment Experiment. They are buying black, or patronizing Black-owned businesses exclusively, for one year.
In my interview with them (below), I talk to the Andersons about their “pledge” to buy black, the dark side of integration’s legacy, what it means to keep money in a community, whether buying black is racist, and what’s more important: buying black or buying green….
the above interview was originally broadcast on Vocalo.org 89.5fm.
It’s Jack Johnson, 1 — Scooter Libby, zero. Senator John McCain delivers some straight talk we can believe in with the announcement this week that he is seeking a presidential pardon for the late Jack Johnson, the nation’s first black heavyweight boxing champion, who he “feels was wronged by a 1913 conviction of violating the Mann Act by having a consensual relationship with a white woman” (read more about the story at AP); STOP SMILING featured Johnson on the cover of our Boxing Issue back in 2005, timing with the release of Ken Burn’s extraordinary documentaryUnforgivable Blackness: The Rise and Fall of Jack Johnson. The final bell will be rung by President Obama.
Really? What’s McCain’s motivation? I remember an audio piece produced by my friend Kabuika for Vocalo.org in which an eleven year old kid asks Black Journalists if they think McCain is afraid of Black People (after McCain declined an invite to a Conference of Black Journalists in 2008).
So, what is McCain’s Motivation forpushing to pardon somebody who’s been dead sixty-0dd years? Like the classic Tootsie Pop commercial, the world may never know…
Vocalo.org (89.5FM), the community-based radio station/website, will be broadcasting live this Friday, March 20th (tomorrow) at Carter’s Barbershop in the North Lawndale community of Chicago. Their current tagline is: “Real Talk. Local Music. No Commercials. “, and they play a blend of user-generated audio (interviews, opinions) and music (with a heavy emphasis on local groups from Sea and Cake to Black Holes and Shala), mixed with live, topical conversation.
The issue they will be tackling from the barber’s chair will be the new Stimulus Package: how everyday people will be effected, and how individual communities will benefit. They will also ask what people would do to fix their ‘hood if they had control of the money. Everyone is invited to speak their piece (on-air) Town Hall-style. They are also invited to line up their fade.
…..wait, that’s a lie. One more thing to say. Click here for my interview with the folks from Beverly Records (a spot near Mr. Peabody’s shop, on 116th and Western, that’s been around since the 1960s).
This is an interview I conducted for Vocalo.org some time ago, in which a Black man (NPR’s Sonari Rhodes Glinton) concedes he is “mixed”: Half African and Half African-American. At first listen, the categorization sounds almost comical, but consider his viewpoint: one major factor in Ethnicity is culture… and no one can argue that Africans and African-Americans aren’t culturally distinct. Above is a picture of dear Sonari (many moons ago):
On a similar topic, the culture clash (and level of misunderstanding) between Africans and African-Americans has always tripped me out (i.e. Fela Kuti was not swinging on vines).
I discovered a blog recently that a very gracious African set up to address pervasive, negative stereotypes (plus, it’s really funny):
“Damn,” one of them said after hearing one of the names.
Behind me was a family dressed in traditional Nigerian garb that were hissing their teeth at what was becoming quite an uncomfortable and condescending situation.
“If that were a white person down there saying Juanita or DaShauna or Fredricka and laughing, black people would walk out in offense,” said one Nigerian woman behind me.
“Well, maybe he should have used an American name,” said another.
Pause.
I had to Zack Morris (step outside of) the situation and analyze what was happening.
Here on darkjive, there’s anearlier post in which Steve Walsh and I talk about the ad below, and why it “ruffles my feathers” (as opposed to “shakes my tailfeather”[okay. that was just silly]). Then, a Nigerian puts his two cents in.
What you’re missing on Vocalo.org (Chicago’s user-generated audio website & radio station):
Vocalo.org user DJFreeHuey uploaded a first person audio piece:
“Concerned parents and teachers of Chicago Public Schools students are speaking out and protesting Chicago’s Renaissance 2010 Initiative and the city’s approach to closing and ‘turning around’ numerous neighborhood schools.”
click here for “School Closings as School Improvement….”
Version Fest 09 (which will feature “An art parade, temporary housing structures, independent contemporary art space networking, one day only exhibition formats, video sweat lodges, an artist run art fair, a reincarnation of the depression era Public Works of Art Project, a social networked free public school, impressive musical performances, boring theoretical nonsense, the revamping of a local community center, mapping projects, a design agency for social movements, and korean polish bar-b-queing….”) is the pride and joy of Bridgeport’s own Lumpen Magazine (an independent, locally-based, critical arts and culture publication, published six times a year). One of the phenomena they will attempt this year is the Bridgeport WPA (FDR-style Alphabet Soup for modern times), and its Public Works of Art Project.
Below is an audio interview with Emily Clayton from Version Fest on how art can heal our wounded economy…and feed our soul (and the lasting legacy of the Works Progress Administration of the Great Depression). Originally on Vocalo.org (interview conducted by Steve Walsh and myself).
NOTE: I love the WPA. The historical version built up our infrastructureand kept our painters, ethnographers, dancers, sculptors, and writers (like Zora Neale Hurston [below]) working and on government salary. Amazing.
To thumb through an online version of Lumpen, click
also, to hear a Slave Narrative (or first hand account of plantation days) recorded by John & Ruby T. Lomax as part of a WPA initiative during the Great Depression, click here.
if you are an artist, and/or would like to involve yourself with Version Fest ‘o9, click here.
In this Era of Service, dissing charities (especially those that aid Africa) is taboo. I will be taboo, then. In an audio clip calledOut of Africa,originally broadcast on Vocalo.org, Steve Walsh and I talk about why one particular ad for the One Laptop For Child Organization (below), in which a small African girl claims she’s from a place “you’ve never heard of”, “a continent You’d rather forget”….. ruffles my feathers. ¿Y tú?
Dear Michael….
What bothers me are bandwagon tributes. An Icon, they say. A Genius. The same cackling media outlets that refused to play Michael Jackson’s music for years, and affixed an implicit punchline to his name. Whatever. Artists are not perfect people. We can choose to accept the art without embracing the artist. In the case of Michael Jackson, I embraced both[.
Born in Gary, Indiana (a fairy tale story in and of itself) the whole family accomplished amazing things. At one point, the Jackson 5 had the nickname of “Black Beatles” because of the Hysteria that ensued when they arrived on the scene. But Michael, dear Michael. He shook hands with the Queen. He changed pop culture forever. His music will live on forever. And there’s a generation of us that will idolize him as long as we breathe as untouchably “bad”. He gave us infinitely more than we ever gave him.
So here come the tributes, the tears. Celebrate genius in life. Not as it’s ripped away. Flowers for the dead pale in the glow of flowers for the living.
Steve Walsh and I interviewed his Brother, Tito, about the family’s story (including Michael’s) and about their Gary Roots. Listen here:
And, from the FIRST Michael Jackson album, I bring you my joint, “I Wanna Be Where You Are”….
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