Japan Pop Show (Quannum, 2008) was an album I first really heard in winter. A smart blend of samba and turntablism, with a smattering of funk and soulful hooks, I realized then that Curumin’s sound was built for summer. According to the New York Daily News: “It’s to Curumin’s credit that he kneaded this thick sonic dough into something not just digestible but delicious.” I think it’s more akin to a refreshing cocktail than a hunk of dough, but point taken.
A Brazilian of Spanish and Japanese lineage, Curumin performs his signature blend of Samba Soul in Chicago this Thursday. Check it out. Jive on.
Thursday, July 16
10PM – doors 9PM
351 W. Hubbard
$12 advance tickets/$15 DOS cash only
Click here for “Sambito”, from the album “Japan Pop Show”.
from the Columbia College website:
March 12, 13 & 14 at 8:00 p.m., The Dance Center of Columbia College presents “shattering dance/theater”(The New York Times). Named after a Portugese expression, Saudade is an ode to the idea of “bittersweet,” the single moment when the greatest joy and agony are experienced together. Set to Portugese Fado music and grounded in folklore, historical fact and personal experience, Saudade is a mosaic of character monologues, mixing world dance with stories of disenfranchised southern African Americans in a deeply personal statement about modern times. With equal parts wild humor and grit, Saudade is performed by Roussève and a distinguished cast of six dancers [known as REALITY], including practitioners of South Asian, Indonesian, West African and postmodern dance forms.
While “Saudade” means “bittersweet longing for what has gone”, “Chega de Saudade” (alternately), is roughly translated to mean “No More Blues”. “Chega de Saudade” is also a Brasilian popular song performed by João Gilberto (below).
Vai minha tristeza
E diz a ela
Que sem ela não pode ser
Diz-lhe numa prece
Que ela regresse
Porque eu não posso mais sofrer
“Go on, my sadness
And tell her
That without her it cannot be
Tell her in a prayer
To come back to me
Because I cannot suffer anymore”