I’ll be spinning a very special set on Wednesday, September 24th in Chicago’s Bronzeville Community. All 1920s through 1950s music (with a few copacetic newer tracks sprinkled in). All vinyl. Actually, I’m trying to figure out if I’m bringing my Victrola. Then it’d be vinyl and shellac.
The event is titled “An Evening at the Forum”, and I am very excited that this building, and all the culture it represents, will be celebrated. That’s especially true because, not long ago, The Forum building nearly perished.
The Forum was built around 1900, and was slated for demolition in 2011. That’s when Bernard Loyd’s final bid for the property was accepted. That’s also when the work to restore the building (that’s suffered from decades of neglect) really began. Chicagopatterns.com did a really though job documenting some of the history, imagery, and narratives surrounding the space. I highly recommend that you check out their work here.
from the organizers of the event:
“On September 24, The Forum will pay homage to the Golden Age of Bronzeville with An Evening at The Forum, a retro-themed block party. The evening will revive key elements of the era – notably music and dance – while drawing the attention of locals and visitors to major redevelopment projects slated for historic 43rd Street.
The event will feature sounds from the 20’s through the 50’s by DJ Ayana Contreras, dance lessons by Big City Blues, historical tours by Chicago Patterns, classic children’s tales by Jason Driver, old fashioned games for children & adults, prohibition-era “mocktails” and hors d’oeuvres, and a preview of CRib Productions‘ “Juke Joint” a short which was recently filmed at Forum Hall, the iconic centerpiece of The Forum. ”
An Evening at the Forum
Wednesday, September 24th
318-328 E 43rd St, Chicago, Illinois 60653
UPDATE! Here’s a couple of images from the event, courtesy of Urban Juncture.
Michael Abramson: Pulse of the Night.
all photos by Michael L. Abramson
What goes on at small clubs is ephemeral by nature: society created and dismantled night after night. A delicate hierarchy composed of drifters, dreamers, and those simply longing to escape. In the mid 1970s, a young white student, Michael Abramson, worked his way into the world of largely black South Side Chicago clubs. He brought his camera along for the ride, capturing images that otherwise would’ve vanished like smoke from a languishing cigarette.
The photos were taken at famous spots, such as Perv’s House (owned by Pervis Staples of the Staple Singers fame), the Patio Lounge, and Pepper’s Hideout. These clubs hosted live music that was a heady mix of blues, funk, and soul by artists like Bobby Rush, Hi-Fi White, Little Mac Simmons, and much more. The current South Side Chicago club scene (in terms of live, homegrown entertainment) is a shell of its former self. That fact makes these photos that much more valuable.
Currently, dozens of Abramson’s photos from this period are on display through Columbia College’s Museum of Contemporary Photography. According to the Museum, “this work earned Abramson a grant from the National Endowment for the Arts in 1978 and launched his successful career as a portraiture photographer and photojournalist. Abramson’s photographs can be found in the permanent collections of the Smithsonian, the Art Institute of Chicago, the Chicago History Museum, the Milwaukee Art Museum, Madison Museum of Contemporary Art, and the California Museum of Photography.”
These photos of grit and gold lamé, born amidst midnight debauchery, are displayed between reference materials at the Columbia College Library. The juxtaposition is not lost on me. Despite their stoic surroundings, they simply hum with electricity.
The Michael L. Abramson: Pulse of the Night exhibition is located on the second floor of the Columbia College Chicago Library, 624 S. Michigan Avenue. It is on display until December 19th, 2014.
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