A mix of music featuring all local Chicago Soul from the Brunswick Label. The label was originally from New York; but moved most of its operations to 17th and Michigan on Chicago’s Record Row in the mid 1960s. From there, producer Carl Davis steered an all star cast of local talent, like Barbara Acklin (above).
This podcast features the music, and an interview with some of the creative people behind the music.
This podcast, like all good B-Sides, features some of the trippier cuts from the Brunswick Catalogue.
Tonight is a Chicago soul music blowout on the Reclaimed Soul Radio Show! Host Ayana Contreras will play cuts from the catalogue of Brunswick Records. The label moved to 17th and Michigan on Chicago’s Record Row in the mid 1960s, and producer Carl Davis steered an all star cast of local talent.
We’ll hear music by Tyrone Davis, Jean Shy, Jackie Ross, The Lost Generation, The Chi-Lites, Freddie Hughes, Sidney Joe Qualls, Ginji James, Jackie Wilson, The Artistics, Gene Chandler, Marvin Smith, and loads more.
It’ll be a stone gas!
Reclaimed Soul airs Thursdays at 8pm-10pm (CST) on http://vocalo.org, or tune in on 90.7fm and 89.5fm.
Above, enjoy DuSable High School’s own Johnny Williams with Baby Be Mine, a classically Chicago-styled mid-tempo shuffler. A delicious record, it was recorded at Brunswick Records here in Chicago (1449 South Michigan Avenue, to be exact) for their Subsidiary label, Bashie. Get a whif of those cheering flutes on the tail end. A beast. Pictured at left, Brunswick Records, 1967-late 70s.
Brunswick was originally based in New York, but moved operations to Chicago in the mid ’60s to take advantage of a hotbed of talent that was nationally recognized. Brunswick’s Jackie Wilson (on lifetime contract to the label) immediately found success working with the Chicago operation, hitting with the 1966 classic “Whispers (Getting Louder)”.
The label that ultimately brought us the Chi-Lites, Tyrone Davis, Barbara Acklin, and more also enlisted some of the best producers/arrangers in the city: Sonny Sanders, Carl Davis, Willie Henderson, Tom Tom Washington, and later Leo Graham and James Mack (who taught Tom Tom and Willie Henderson at Crane Junior College). What they created was a sound that was a perfect hybrid of blues and soul. Just like the very best of Chicago.
I wanted to share this record with you….because I love it. From the 1971 (Chicago born-and-bred) album, “Love is a Merry-Go-Round”: it’s Ginji James with “Love Had Come to Stay”. It’s sitting-in-the-park music from Brunswick Records (recorded on South Michigan Avenue in Chicago). Sitting-in-the-Park music is that music you hear in your head when you’re feeling all moody and contemplative… like no matter how sunny the day there’s a little bit of your heart stuck on that thing. Another example of this is “Have You Seen Her” by the Chi-Lites (also from Brunswick). The lyrics of that song is where I got the name for this genre:
One month ago today
I was happy as a lark
But now I go for walks
To the movies – maybe to the park
And have a seat on the same old bench
To watch the children play (huh)
You know, tomorrow is their future
But to me, just another day
They all gather around me
They seem to know my name
We laugh, tell a few jokes
But it still doesn’t ease my pain….
according to Dusty Groove:
One of our favorite Chicago soul sessions of all time — and the only album ever cut by Texas-bred singer Ginji James! Ginji’s got a style that’s both sweet and deep — which makes her a perfect fit for the sweeping, loping arrangements of the record — very much in the best Brunswick Chi-soul style of the time — and carried off perfectly by a team of studio talents that includes Carl Davis, Eugene Record, Willie Henderson, and Tom Tom! Ginji’s vocals are really wonderful — every bit as great as that of labelmates like Barbara Acklin or The Chi-Lites — and the whole set sparkles with a warmth that’s pretty darn hard to find, even in the best soul albums from the time!
From my very own album to you….