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This holiday season, my first book (which deals with many of the ideas and themes in this blog), will be published through University of Illinois Press. I’m over the moon to get this collection of uplifting narratives about the city I adore out into the world. Energy Never Dies: Afro-Optimism and Creativity in Chicago outlines the undefeatable culture of Black Chicago, past and present.
ABOUT THE BOOK
From Afro Sheen to Theaster Gates and from Soul Train to Chance the Rapper, Black Chicago draws sustenance from a culture rooted in self-determination, aspiration, and hustle. Ayana Contreras embarks on a journey to share the implausible success stories and breathtaking achievements of Black Chicago’s artists and entrepreneurs. Past and present generations speak with one another, maintaining a vital connection to a beautiful narrative of Black triumph and empowerment that still inspires creativity and pride. Contreras weaves a hidden history from these true stories and the magic released by undervalued cultural artifacts. As she does, the idea that the improbable is always possible emerges as an indestructible Afro-Optimism that binds a people together.
Passionate and enlightening, Energy Never Dies uses the power of storytelling to show how optimism and courage fuel the dreams of Black Chicago.
“Contreras puts virtually every aspect of Black Chicago culture, music, business breakthroughs, and more on the table, then shows exactly how they are all interconnected. She writes the book as the Black experience is actually lived–this guy knows that guy, but the other guy used to work for the two of them. And none of it would’ve happened were it not for a certain audacious manner of hope and optimism found in Black Chicago.”–Lee Bey, author of Southern Exposure: The Overlooked Architecture of Chicago’s South Side
“In Energy Never Dies, Ayana Contreras crafts an intensely intimate and loving portrait of Black Chicago that that will illuminate, even to lifelong South and West Siders, the distinctiveness of our cultural history and worldview. This book offers urgently needed blueprints for extending the work and actualizing the dreams of the Great Migrants.”–Jacqueline Najuma Stewart, coeditor of L.A. Rebellion: Creating a New Black Cinema
You can preorder the book here: https://www.press.uillinois.edu/books/?id=84kcq6nx9780252044069
Terry Callier: You Goin’ Miss Your Candyman.
This portion of the post was originally posted on Darkjive on October 17th, 2009:
I remember where I was when I first heard [“Dancing Girl” by Terry Callier]: the local round-the-way record store [back when I was in high school]. The carpet was checkered with the maytag logo in bittersweet on brown (harkening back to the store’s past life). There we stood in a communal experience that began with the shop owner saying, “You’ve got to hear this record”. We stood waiting. Waiting melted away to awe. Nine minutes later we knew life was a bit different…just wait for the progression of the track. It blossoms and eventually bursts.
“Dancing Girl” is from the album, “What Color is Love” (Cadet, 1973). A great record for a chilled autumn day.
Terry Callier was a childhood friend of Curtis Mayfield and co-wrote numerous Chicago Records for artists as diverse as the Soulful Strings, The Dells, and Garland Green. He spent much of the eighties and nineties as a single father, raising his daughter, Sundiata, and working at the University of Chicago.
He returned to recording in the late nineties to critical acclaim, and released “Hidden Conversations” (his fifth album in 10 years) this year[2009]. It features Massive Attack.
Jive on…. Jive on.
2009 was to be his last appearance on record. Since I first discovered him, I’ve fallen in love with a number of his compositions,
such as: “Ordinary Girl”, “You Don’t Care”, “You Goin Miss Your Candyman”, and others.
I’ve also realized that he co-wrote a few of my old Chicago favorites, including: “You Can’t Get Away that Easy” (as performed by Lee Charles and, later, by Garland Green), “The Love We Had Stays on My Mind” (as performed by The Dells), “I Don’t Want to Lose Your Love” (as Performed by Billy Butler & Infinity), and “I’d Rather Be With You [performed by the Dells].
Below, Terry singing You Goin’ Miss Your Candyman. Because I do.
1 Comment | tags: Billy Butler, Cadet Records, Garland Green, Hidden Conversations, Local Chicago Music, Local Chicago Soul, Massive Attack, terry callier, The Dells, University of Chicago | posted in Chicago Cultural History, Commentary, Local Chicago Music, Music