Reclaimed Soul’s Ayana Contreras spoke with Jazz vocalist Maggie Brown, daughter of Oscar Brown, Jr. Maggie is passionate about preserving the legacy of her father’s community-engaged artistry.
The Opportunity Please Knock Chorus (a creative collaboration between singer/writer/playwright Oscar Brown Jr. and the notorious Blackstone Rangers street gang) premiered 50 years ago. Mr. Brown stated in 1967, “They’re not too disillusioned to work hard-if they ever had and illusions at all. It is up to us to give them a better picture of reality.”
As we look for solutions to quell today’s violence in our communities and to get kids off the streets, this is a notable model of artist intervention from Chicago’s past.
This was recorded at a live event at Thalia Hall in Chicago’s Pilsen neighborhood.
click here for more on the Opportunity Please Knock Chorus.
Catch fresh installments of Reclaimed Soul Thursdays at 8pm (CST) on vocalo.org or over the air on 91.1fm
Leave a comment | tags: 1968, Black Theater, Blackstone Rangers, Chicago, maggie brown, Music, Oscar Brown, reclaimed soul | posted in Chicago Cultural History, Film and Television, Local Chicago Music, Music, the Goodness
The Hyde Park Jazz Festival celebrates its 10th Anniversary with three dozen performances and programs on 11 stages across the neighborhood this weekend. Many of the performances, to their credit, lack easy categorization, and truly exemplify the spirit of Jazz from the South Side of Chicago (multi-layered, collaborative, and connected to the community). A few highlights:
The South Side of Chicago has a rich history of Jazz music, and the Hyde Park Jazz Festival’s schedule represents keepers of that flame, like Maggie Brown (pictured, who is a daughter of the iconic Oscar Brown, Jr. and an electrifying vocalist in her own right); as well as younger creators such as the Thaddeus Tukes / Isaiah Collier Duo.
Stretching out the boundaries of traditional Jazz programming are a restaging of Supreme Love (a live music and tap dance performance set to John Coltrane’s A Love Supreme). In collaboration with dancers from M.A.D.D. Rhythms, musicians on the set include Isaiah Spencer on drums and Junius Paul on bass.
Also as part of the festival, Marvin Tate will present The Weight of Rage, which was initially presented at the Hyde Park Art Center earlier this year. The visual component is an exhibition of work developed in classes in the Prison and Neighborhood Arts Project at Stateville Prison. The show brings together work from incarcerated artists and teaching artists and writers (including Marvin Tate) in the Prison + Neighborhood Arts Project (PNAP) at Stateville Correctional Center in Joliet, IL to explore the question, “how does the state identify you?” There will be a music performance by a sextet as part of Saturday’s presentation of The Weight of Rage, as well.
The Festival also announced a new partnership with the Hyde Park Art Center that commissioned visual artists to install site-specific artwork on Midway Plaisance.
Three main projects have been selected for this inaugural year: Juan Angel Chavez, “Gramaphone”; Jeremiah Hulsebos-Spofford and Faheem Majeed, “Floating Museum”; and Sabina Ott, “Mountain Variation.”
And, the Hyde Park Jazz Festival Story Share Project continues this year, in which visitors are invited to share stories about their relationship to Jazz (particularly Jazz on the South Side of Chicago). All stories are archived for the Hyde Park Jazz Society, and select stories will be made available via an dedicated web platform that is currently in production.
For more on the Hyde Park Jazz Festival (including a full calendar), click here.
Leave a comment | tags: Chicago Jazz, hyde park, hyde park art center, Jazz, maggie brown | posted in Art, Arts & Culture, Chicago Cultural History, Local Chicago Music, Music, Musical Performance, Reviews, Show Reviews, Staged Affairs, the Freshness