Chicago Soul
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Ramsey Lewis and Earth, Wind, & Fire: sun goddess…an exercise of local royalty.
In 1974, Earth, Wind, & Fire was beginning its ascent to “Shining Star”-dom: “That’s The Way of the World” had not yet been released, but “Head to the Sky” and “Devotion” had already made them radio favorites. Maurice White, the lead vocalist on so many of EWF’s cuts (and a beastly drummer) returns the favor…
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Clea Bradford and Frank D’Rone: my love’s a monster, so think i will. jive on.
From Frank D’Rone’s Cadet/Chess album “Brand New Morning” released in 1968 (arguably Cadet’s creative peak), “Think I Will” was arranged by Richard Evans and is the Brother record to Clea Bradford’s bananas Sister cut “My Love’s a Monster” (also from Cadet in 1968). Yes. The horns are so mighty, and that guitar work is extra-tasty……
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Oscar Brown, Jr.’s Work Song
I love the breadth and depth of Oscar Brown Jr.’s work. A prolific singer, songwriter, playwright, and activist, he was also a born and bred Chicagoan. The cut below “Work Song”, is from his first LP, 1960’s “Sin and Soul” which he recorded in his mid-thirties. He was a father of five at the time…
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Do it Like Mama: Simtec and Wylie give us a cut that makes me want to break out my hotpants.
Simtec (Simmons) and Wylie (Dixon) were a homegrown Sam & Dave styled duo on Syl Johnson’s Shama label when this scorcher came out in 1970. Both Simtec and Wylie had scuffled about on the Chicago Scene in a variety of acts before this release: Simtec actually put out a track in 1967 on tiny Maurci Records credited to “Simtec Simmons…
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Chuck Bernard: Soul Survivor.
Vocalist Chuck Bernard (left, 1966) was born in Indianola, Mississippi and bred in St. Louis. He was able to lay down a series of cuts with a ton of great songwriting teams that kicked around Chicago (in addition to the legendary team of Bridges-Knight-Eaton who worked with a handful of Chicago artists though they were…
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Gouster or Ivy Leaguer?
Today, it’s a question of whether your pants are sagging or not (as far as I’m concerned). In the Sixties, on the South and West Sides of Chicago, the male clothing signifier was whether you were a Gouster or an Ivy Leaguer. A former co-worker who I guess would be classified as a Gouster now, but was an…
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Just Because I Really Love You: evolution of a groove.
Below is a record of his that I’ve been getting into lately, “Just Because I Really Love You” by Jerry Butler, circa 1969. This cut is super smooth and a great example of Jerry’s work on Chicago’s own Mercury Records with Philly greats like Thom Bell and Gamble & Huff (especially the cheeky background vocal…
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Different Strokes: chicago grit and soul.
you know you love it. Syl Johnson was a staple at local clubs here in Chicago in the 60s and 70s and this record can still get a crowd moving. This song is famous, arguably, because it’s been sampled so many times; but it is actually the follow up to Syl’s Monster-of-a-hit from 1967, “Sock it…
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You’re Tuff Enough: junior wells’ new breed blues
The title cut off this 1968 album is a bluesy monster produced by Charles Stepney with more than enough groove to stay squarely in the pocket. Also on this album is the local hit “Up in Heah”, another blues-infused party track. Both of the records will make sceptics rethink the blues. According to the back…
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The Ice Man Cometh.
Here’s a follow up to yesterday’s Jerry “The Ice Man” Butler post. Below, 1969’s “Walking Around in Teardrops”. Before Harold Melvin & the Blue Notes and the O’Jays hit the soul stratosphere, there was the late sixties Philly/Chicago fusion that was Gamble/Huff/Martin/Bell/Butler. Always one to use his starpower to help up-and-comers in the Music Business craft their…
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