Do the Camel Walk! Last week on Reclaimed Soul, host Ayana Contreras played this rare local Chicago Blues/Soul record by Bobby Rush (not the former Black Panther turned Politician) from about 1968.
In case you were wondering how to do the then-popular dance, here’s a clip of James Brown asking Sammy Davis, Jr. if he “remembers” how to do it. And he does it. And it’s pretty great.
…But, that’s just the tip of the iceberg. James Brown at the time was known for integrating the Camel Walk into his stage show. But the dance had its roots way back in the 1920s as a ragtime dance… So, it was retro even in the 1960s. Good things come back around. Or, so they say. Jive on.
I’ll be spinning a very special set on Wednesday, September 24th in Chicago’s Bronzeville Community. All 1920s through 1950s music (with a few copacetic newer tracks sprinkled in). All vinyl. Actually, I’m trying to figure out if I’m bringing my Victrola. Then it’d be vinyl and shellac.
The event is titled “An Evening at the Forum”, and I am very excited that this building, and all the culture it represents, will be celebrated. That’s especially true because, not long ago, The Forum building nearly perished.
The Forum was built around 1900, and was slated for demolition in 2011. That’s when Bernard Loyd’s final bid for the property was accepted. That’s also when the work to restore the building (that’s suffered from decades of neglect) really began. Chicagopatterns.com did a really though job documenting some of the history, imagery, and narratives surrounding the space. I highly recommend that you check out their work here.
from the organizers of the event:
“On September 24, The Forum will pay homage to the Golden Age of Bronzeville with An Evening at The Forum, a retro-themed block party. The evening will revive key elements of the era – notably music and dance – while drawing the attention of locals and visitors to major redevelopment projects slated for historic 43rd Street.
The event will feature sounds from the 20’s through the 50’s by DJ Ayana Contreras, dance lessons by Big City Blues, historical tours by Chicago Patterns, classic children’s tales by Jason Driver, old fashioned games for children & adults, prohibition-era “mocktails” and hors d’oeuvres, and a preview of CRib Productions‘ “Juke Joint” a short which was recently filmed at Forum Hall, the iconic centerpiece of The Forum. “
An Evening at the Forum
Wednesday, September 24th
318-328 E 43rd St, Chicago, Illinois 60653
UPDATE! Here’s a couple of images from the event, courtesy of Urban Juncture.
Reclaimed Soul Host Ayana Contreras explores the thin line between the Gospel and Soul scenes in Chicago during the 1960s and 1970s, and plays cuts that dip into each genre. Featuring music by The Salem Travelers, Gospel Clouds, Brother Samuel Cheatam, The Independents, and much more.
Just to illustrate the ties that bind Chicago Soul and Gospel, Samuel Cheatam rose through the ranks of both the Tabernacle Church of Prayer Choir and the Mount Pleasant Choir before self-releasing his first solo work, a working of the classic “Troubles of the World” on the Cora label in 1969. His single was produced by none other than Chuck Bernard. Chuck Bernard was a Chicagoan by way of St. Louis. He was a hip, gritty soul singer, playing in clubs and recording in the late 60s on St, Laurence, Satellite, and Zodiac. Cheatam’s Bernard-produced 45 sold well enough, leading to a reissue by West Side Chicago-based label One Way Records. A subsequent 1977 album was called “Stranger In The City”. This give-and-take was very common in Chicago, despite the historical chasm between the secular world and the sacred.
For fresh episodes of Reclaimed Soul, listen in Thursdays at 8pm CST on vocalo.org, or tune in to 89.5fm (NW Indy) and 90.7fm (CHI)
Chicago is known worldwide for its electrified Delta Blues. Chicago’s also known for its sweet Soul Music. And during the 1960s, those musical traditions combined at Four Brothers, a tiny record label based at a famous West Side Chicago record shop called Barney’s One-Stop. This podcast features some of the hip, soul-flavored blues from the Four Brothers label. Plus, we hear soulful blues from all corners of the city.
A bit about 4 Brothers:
The label existed from 1965 through 1967. Its sister label was Bright Star.
Willie Barney, Jack Daniels (A&R / Production), Granville White were the principal “brothers”. The fourth “brother” might have been Harold Burrage (or maybe someone with business interests that preferred not to be named dot-dot-dot.)
In the late 1960s, Jack Daniels, along with Johnny Moore (another 4 Brothers/Bright Star associated artist and writer) cut a number of hard hitting soul records. In fact, Jack Daniels co-wrote Tyrone Davis’ blockbuster soul record “Turn Back the Hands of Time”. Tyrone Davis had recorded for 4 Brothers under the name Tyrone the Wonder Boy.
For fresh episodes of Reclaimed Soul, listen in Thursdays at 8pm CST on vocalo.org, or tune in to 89.5fm (NW Indy) and 90.7fm (CHI)
I collect records. All sorts of records. That includes eighty year old records that I play on my Victrola. Often, I am just as interested in the physical state of the record as I am in the music itself. For instance, the label affixed to this label is interesting. First off, it lets me know this 78rpm was bought during World War II (1942) in the heart of Bronzeville (4712 S. Parkway) at the Groove Record Shop (“The House that Jive Built”). Awesome. Interestingly enough 4712 S. Parkway was (and is) the location of an actual house. To be more precise, it’s the location of a Greystone two-flat.
Pretty cool. Also, Griff Williams played at the Stevens Hotel in Chicago, so there’s a rock solid Chicago connection.
The Groove Record Shop was located directly across the street from the original Regal Theater, a legendary venue that featured movies as well as marquee talent. The theater opened in 1928. Artists from Louis Armstrong to Jackie Wilson performed there. Today, another theater in Chicago bears the name “Regal”. Sadly, the original was demolished in 1970.
Photo of Regal Theater: “Movie theater, Southside, Chicago, Illinois” (1941, Library of Congress)
The African-American Cultural Center (AACC) at UIC is currently presenting a Chicago Blues Museum exhibit “The Soul of Bronzeville.” See more images of the “Black Metropolis” and learn about how the Regal Theater played a significant role in the neighborhood development.
Now through August 2014
Time: Monday – Friday 10am to 5pm
Saturday and Sunday by appointment only
Where: UIC African-American Cultural Center,
Addams Hall, room 207
830 S. Halsted
Chicago, IL 60607
This Summer, on the South Side of Chicago, St. Laurence’s is finally coming down. The grounds, which included a rectory and a school, already suffered through a devastating fire and neglect. the Archdiocese of Chicago closed the church in 2002.
The former parishioner in the above photo came to pay his respects, fittingly, on a honeyed Sunday evening. He attended St. Laurence’s School next door as a child.
It’s hard to express the stunning beauty of this building, even as it crumbled before our eyes. According to Preservation Chicago, the building dates back to 1911. The complex was listed as one of Chicago’s 7 most threatened buildings by Preservation Chicago in 2011, the building’s 100th anniversary. Landmarks Illinois, an organization dedicated to historic preservation, stated that “this collection of buildings is one of Chicago’s most intact and impressive early-20th century religious complexes.” And yet, it’s being demolished. Brick by Chicago brick.
Here’s some more recent pictures of the complex from danxoneil’s Flickr page:
There’s a metaphor here, somewhere. Perhaps it’s like watching a sleeping giant. Or a fallen warrior. Watching this building decay slowly has been surreal. Now that slow decay has been quickened.
I had a student a couple of years ago who didn’t really talk a lot. I asked her one day to sum up the toll an abandoned building puts on a block, on a community.
Her words still haunt me: “They are a black hole in the community”. Of course. Everything dark circulates around them: drugs, crime, strife. Darkness itself is housed within it. Yet, St. Laurence’s still shone bright, especially on sunny, cloudless days. A passerby might almost forget that time was ravaging the building from the inside out. Still, if a building could be proud, despite decay, that building was.
Grand Crossing’s Patron Saint of Building Redemption, artist Theaster Gates, told me not long ago that he had looked into saving it, but it was beyond repair by then. Its days were numbered.
I can’t help but feel as though if this building had been on the North Side (Roscoe Village, perhaps) and not nestled in Grand Crossing, its fate might have been different.
Below is my audio recap of last week’s 100 Saxophones for Sun Ra. It originally aired on the radio program Reclaimed Soul on Vocalo, 89.5fm and 90.7fm here in Chicago. For more about the event click here.
Chicago Free Jazz composer and saxophonist David Boykin invites you to participate in 100 Saxophones for Sun Ra. David is currently a Resident Artist at the University of Chicago’s Arts + Public Life/Center for the Study of Race Politics and Culture.
David has put out an open call for 100 saxophonists to participate in a musical tribute to Sun Ra in commemoration of the 100th anniversary of his birth. 100 saxophonists will convene and perform “Happy Birthday” at 12 noon in Washington Park (on Chicago’s South Side) on Thursday May 22, 2014, his 100th birthday.
According to the open call:
“This is a historic opportunity to share our collective energy in honor of this musician whose musical, political and spiritual philosophy has been impactful and transformative to so many. His legacy continues because of the ways in which his musical innovation has been central to the free jazz movement in Chicago and beyond.
[David] chose this space and place because of its significance to [Sun Ra]. Along with other musicians, artists and activists he gathered in the park to play and to teach. In celebration of this work we invite you to participate in this gathering of saxophonists of all ages.”
RSVPs should be sent by email to email@example.com
Free bus transportation is available for student groups that wish to participate. Please contact Dominique L. Boyd for bus arrangements at firstname.lastname@example.org
Sun Ra(born Herman Poole Blount, May 22, 1914 – May 30, 1993) was a prolific jazz composer, bandleader, piano and synthesizer player, poet and philosopher known for his “cosmic philosophy,” musical compositions and performances. He was born in Birmingham, Alabama. He is a 1979 inductee of the Alabama Jazz Hall of Fame.
The Natural Four, Natural Four This was released here in Chicago on Curtis Mayfield’s Curtom label in 1974. The Natural Four was a group that came here from San Francisco to record because Chicago was a soul-music center. Unfortunately, aside from scoring a Top 40 hit with this album’s classic lead track, “Can This Be Real,” the group was unable to break through. Natural Four brims with loping strings, aggressive horns, and slinky harmonies.
Andrew Hill, Lift Every Voice I collect old Blue Note albums, and I’m often initially attracted to their covers. This 1970 release features Hill’s face superimposed over stars and violet nebulas, and the record itself is softly stratospheric in its energy. Hill leads a crowd of vocalists and an instrumental quintet that includes Richard Davis on bass and Carlos Garnett on tenor sax. With song titles such as “Love Chant,” “Ghetto Lights,” and “Hey Hey,” the record gently envelops you with a sense of perpetual motion—sometimes it feels like you’re swinging in a hammock, and sometimes it’s like you’re running electrically in the streets.
Sunday Williams, “Where Did He Come From“ Sunday Williams recorded this single in Chicago around 1969 for Bill Meeks’s Alteen label, based on Stony Island Avenue. It did OK locally, mainly thanks to the cheery flip side, “Ain’t Got No Problems” (which features the hook “Know what to do with my man, yeah!”). Really, both songs are stellar. But “Where Did He Come From” has a hauntingly beautiful staccato horn intro, coupled with dreamy vibes and a rock-solid bass line.
Proof positive that I do listen to stuff that’s not from Chicago, sometimes. For the rest of the article, click here.
Swooooon.Phil Cohran. Chicago. Those credits (including session all-star Master Henry Gibson) are as lovely as the cover (shot at 63rd Street Beach). I’d love to have been among the crush of lovely brown flesh, on the cusp of the Lake, trying to catch strains of the Artistic Heritage Ensemble back around 1968. He has a whole slide show of photos like these. They are amazing.
Master Henry Gibson played congas on Curtis Mayfield’s “Curtis”, “Superfly”, and scores of other records. Pete Cosey played on dozens of records with artists ranging from Muddy Waters to Miles Davis. Louis Satterfield and Don Myrick were later a part of Earth, Wind, & Fire… and that’s just getting started. Phil is of course, the genius/lynchpin that holds so much of Chicago’s musical legacy together.
Chicago has an amazing tradition of soul stirring music, including soulful, spiritual jazz…This record included.