Tag Archives: Rotary Connection

Kitty & the Haywoods: a slice of Chicago Sister Funk.

kitty and the haywoodsThe Emotions were not the only sister group to come out of Chicago. It was all in the family for Kitty and the Haywoods, as well (although they actually consisted of three sisters and a niece). Before Kitty and the Haywoods’ self-titled debut album, Kitty had a long recording history as a background vocalist for such acts as Curtis Mayfield and Terry Callier. She was also a member of The New Rotary Connection (along with Shirley Wahls) after Minnie Riperton departed from Rotary Connection.

1974, Kitty and the Haywoodweiss recorded a single as Kitty Haywood & the Haywood Singers called “Big Black Cloud”. It was produced and arranged by Charles Stepney (who was the creative force behind Rotary Connection). Kitty had also previously released a solo record on the Weis label.

In 1976, the sisters sang back up for Aretha Franklin on the “Sparkle” soundtrack, which was written and produced by Curtis Mayfield. Before that, they recorded quite a few jingles in town.

The album Kitty and the Haywoods (1977) was produced by Mercury Records label mates The Ohio Players, and it sounds like a gumbo of the Ohio Players and Labelle at their silver-lame-wearing best.

What I appreciate most about Kitty and the Haywoods is that they were quite literally part of the backbone of the Chicago Recording scene. Too many background vocalists faded away into the shadows, remaining anonymous. But these ladies were able to shine.  Jive on!

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Listen Locally: DJ Ayana at Maria’s….

Reclaimed Soul’s host, Ayana Contreras, is perhaps best known for spinning classic Chicago Soul records, but on Tuesday, October 2nd, she plans to mix it up and play cuts from the trippier and (even) grittier side of her Chicago Music collection. She will also feature what she likes to call the “Rock Hand Side of things”: artists like Rotary Connection (pictured above), Hudsen Bay Company, New Colony Six, Howlin Wolf, Young Turks, Elmore James, Spanky and Our Gang, Lost Generation, Magic Sam, Five Stairsteps, The Family, Shadows of Knight, The Buckinghams, John Klemmer, Bobby Rush, Little Milton, Junior Wells, Aesops Fables, Baby Huey and the Babysitters, Syl Johnson, and much much more will be on deck. Of course, all will be spun on vinyl.

 Tuesday October 2nd /9pm-1am

Maria’s Packaged Goods

960 West 31st St., Chicago

rotary connection


Minnie Riperton: she was the black gold of the sun.

Minnie Riperton was, of course, so much more than her 1976 smash “Loving You”.  I won’t even attempt to jam her legacy into a blog post.  She was a mother (to SNL alum Maya Rudolph), a lover, (to Dick Rudolph) and a righteous songbird.  Riperton (pictured above, 1968 [photo courtesy jeff lockard]) and her soaring soprano were featured in the Rock-Soul outfit Rotary Connection.  Rotary Connection was the jazzy soulful dirty hippie baby of genius producer Charles Stepney and Marshall Chess (son of Chess Records founder Leonard Chess, and a visionary in his own right).

Certainly their most anthologized track is “I am the Black Gold of the Sun” (above), but each of their albums produced its crop of nuggets (my favorites are “Songs”, “Hey Love”, and “Aladdin”).  The sound was a cross-section of Rock, Gospel, Soul, and Jazz nearly as big as the City of Big Shoulders that spawned it.  Featuring Minnie Riperton on lead vocals for a number of their cuts, her other-worldly wails are the sound that almost never was.

Below, my short audio interview with Sidney Barnes of Rotary Connection (pictured far right), on how Minnie Riperton got the strength to embrace her own voice in the days when sopranos weren’t considered soulful.

Love Thyself: Sidney Barnes Talks Minnie Riperton


Perfect Angel: minnie riperton stayed in love.

Minnie Riperton, native Chicagoan and Hyde Park High School alum, started her singing career as a receptionist for Chess Records (at 2120 South Michigan Avenue).  There, Riperton recorded in a girl group called the Gems, and a Rock/Soul outfit called Rotary Connection (for the story of how, while in Rotary Connection, Minnie came to accept her unique voice in the era of Aretha Franklin, click here).  She also recorded her solo debut, 1970’s Come to My Garden, co-produced by labelmate Ramsey Lewis and her husband, Dick Rudolph at Chess.  She eventually became one of the best loved sopranos of her age.

In 1976, Minnie Riperton was diagnosed with  breast cancer, but she continued recording and touring; but on Thursday, July 12, 1979 at 10:00 a.m., while lying in her husband’s arms, Riperton lost her three year struggle with cancer as she listened to a recording Stevie Wonder had made just for her.  According to legend, Stevie met Minnie in Chicago, at 1971’s Black Expo.

“Riperton had released a debut album that won critical praise but, frustrated with her record company’s listless promotion effort, was preparing, at age 22, for semi-retirement Florida. “I saw Stevie backstage,” she recalls, “so I went over and whispered in his ear for him to keep up the good work. He asked me what my name was, and I said ‘Minnie.’ Well he started jumping up and down, saying ‘not Minnie Riperton — it’s been my dream to work with you, You sing like an angel’.”
— Margo Jefferson, “Stevie’s Angel”, Newsweek, July 28, 1975.

Riperton touched many people’s hearts in her life.  So many hearts, in fact, that an entire star-studded episode of Soul Train was dedicated to her in the wake of her tragic death, with very special performances from a number of artists, among them was her oft collaborator, Stevie Wonder (a clip of which is posted above).

riperton-minnie